Being an artist yourself, do you have any particular career highlights?
I have a few.
One of the most prominent is what I consider to be one of the biggest turning points in my life in terms of me deciding to go forward and really pursue music. I did a remix of a song by Matt Goss, who was part of the band Bros, and then one day I got a call asking if I wanted to come and perform the song at Wembley stadium.
Even travelling there, I was still thinking that this wasn’t going to be something crazy, so I turned up, did my sound check, and that’s when it kicked in. I realised the stage was massive, the entourage was huge, loads of famous people around the room. It was so surreal.
Soon enough, it was showtime, and there were 12,000 people. The noise of 12,000 people is mad. I’m only used to 100, maybe 1,000, at a festival. This was the moment when I thought, “These kinds of things can be in your future if you want them to be”. I’m a big believer in visualisation and that was something I didn’t have to visualise; I was already there. Its kind I’ve changed how I pursue my music since then. It was definitely a highlight and something I will always talk about. Not everybody can perform at Wembley in front of so many people. This is something I can tell my grandchildren later in life.